User Experience
Emotion
Conception
Being efficient requires equipment adapted to the user and the needs of the production. In permanent technological standby, I bring a global expertise to define the controlled perimeters of major investments in a search for ROI and optimised user experience.
We work for the public.
Generating emotion requires a perfect balance between artistic, technical and logistical engineering.
This incessant search represents the heart of my profession and passion.
Imagine without limits, create and circumvent constraints.
For nearly fifteen years, the software tool has been the primary basis of my work to translate an idea, a concept into a live project in a virtualised space.
As a child of the seventies, I went through all the technological and digital revolutions. I still remember my first Atari 2600 , Sinclair ZX81, my ecstasy in front of the windows of Tandy stores and my first steps in vector graphics on Amiga computer….
My studies were then oriented towards architecture and civil engineering. Then I discovered the technical world of the show twenty seven years ago, which marvelously combines creation and technology.
I grew up with the arrival of DMX512, the robotization of projectors, the digitization of audiovisual flows, under the benevolent wing of passionate technicians.
I chose an evolving career, my natural curiosity encouraging me to always learn, from the rudiments of technical using to the global management of an event or a venue.
I have always defended the idea that we are the men and women behind the scenes at the service of creativity, this undeniable link whose vocation is to generate emotion.
The emotion of the audience, beyond its abstract definition, will always be the common objective of my work.
Specialized in heritage enhancement, my plural functions have always been new challenges that feed my professional passion.
Today, as technical director and audiovisual consultant, all my experience and know-how acquired in the cultural, professional events or large shows fields allow me to accompany each project in an efficient logic under all its aspects.
Today, soon to be in my fifties, I measure how lucky I have been to go through each of the digital evolutions and revolutions, from the deployment of DMX 512 to current audiovisual networks, from the disappearance of the phosphor laser filament, from revox to digital media.
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